About Xanthos Ensemble
Founded in 2005, the Xanthos Ensemble brought to its inaugural season a fresh, inspirational, and high quality emphasis on the performance of contemporary chamber music to new audiences. The New York Times has raved about the "virtuoso players" of the ensemble as "copiously skilled and confident" in the face of "undeniably challenging music." In the 2008-2009 season, the ensemble joined in a collaboration with Boston University, and will perform their season presented by the Boston University College of Fine Arts School of Music Department of Composition and Theory. Also in the 2008-09 season, New York composer Daniel Felsenfeld has joined the ensemble as Composer-in-Residence. From 2006 to 2008, they served as Ensemble in Residence at Boston Conservatory. Through a combination of internationally recognized repertoire and world premieres of works dedicated to the ensemble, the major focus of the ensemble's mission is to bring new music to life, written for the ensemble in collaboration with living composers, and to that aim they have premiered dozens of works and have had several newly composed works dedicated to them since the group's inception. Their 2007-2008 season included an appearance at the Boston Conservatory New Music Festival, featuring works by European 50s and 60s avant-garde composers. Their 2006-2007 season included a national Composition Competition for Young Composers sponsored by the Boston-based collective Composers in Red Sneakers, including a New York City debut, a collaboration with the Berklee Alumni Composers Consortium, and an appearance as featured guest artists for the University of Toledo's 30th Annual 2007 Spring Festival of New Music.
The Xanthos Ensemble is dedicated to the promotion of contemporary chamber music, through the exposure of new music repertoire to new audiences in the Boston area, throughout the country, and abroad. Its mission has grown from the belief that the inspiration and knowledge of contemporary music in the community at large will increase the awareness and educational benefits of new music for our musical culture, and for our society as a whole. The focus of the Xanthos Ensemble is on the commissioning of new works and the presentation of performances of existing, internationally recognized repertoire to new audiences for contemporary music. Through the introduction of the elements of contemporary music to new audiences, the Xanthos Ensemble also has as its long-range mission an educational strategy that will bring to the community an outgrowth of new interest in not only contemporary music, but also chamber music. This educational strategy will impart to the young listener a new appreciation for artistic and cultural values, with music as the educational language. Through outreach performances and education, the Xanthos Ensemble hopes to bring the language of music and all of its cultural beauty to new audiences who will benefit from exposure to live performances of contemporary chamber music.
The ensemble is frequently in collaboration with composers at colleges and universities, and is available for guest workshops and concert appearances throughout the country.
The Xanthos Ensemble depends upon the generosity of audience members, friends, and its supporters to continue bringing contemporary music alive in the community. The Xanthos Ensemble is a non-profit tax exempt 501(c)(3) organization, and all contributions to the organization are fully deductible to the extent allowed by law.
If you are interested in becoming a donor to the Xanthos Ensemble, please contact the group either through email on this website, or write to:
Xanthos Ensemble
12 Dana Terrace #2
Watertown, MA 02472
Your generation in the form of a private donation is greatly appreciated.
The Xanthos Ensemble is dedicated to the promotion of contemporary chamber music, through the exposure of new music repertoire to new audiences in the Boston area, throughout the country, and abroad. Its mission has grown from the belief that the inspiration and knowledge of contemporary music in the community at large will increase the awareness and educational benefits of new music for our musical culture, and for our society as a whole. The focus of the Xanthos Ensemble is on the commissioning of new works and the presentation of performances of existing, internationally recognized repertoire to new audiences for contemporary music. Through the introduction of the elements of contemporary music to new audiences, the Xanthos Ensemble also has as its long-range mission an educational strategy that will bring to the community an outgrowth of new interest in not only contemporary music, but also chamber music. This educational strategy will impart to the young listener a new appreciation for artistic and cultural values, with music as the educational language. Through outreach performances and education, the Xanthos Ensemble hopes to bring the language of music and all of its cultural beauty to new audiences who will benefit from exposure to live performances of contemporary chamber music.
The ensemble is frequently in collaboration with composers at colleges and universities, and is available for guest workshops and concert appearances throughout the country.
The Xanthos Ensemble depends upon the generosity of audience members, friends, and its supporters to continue bringing contemporary music alive in the community. The Xanthos Ensemble is a non-profit tax exempt 501(c)(3) organization, and all contributions to the organization are fully deductible to the extent allowed by law.
If you are interested in becoming a donor to the Xanthos Ensemble, please contact the group either through email on this website, or write to:
Xanthos Ensemble
12 Dana Terrace #2
Watertown, MA 02472
Your generation in the form of a private donation is greatly appreciated.
Concerts
Swedenborg Chapel
Across from Harvard Yard
Across from Harvard Yard
06/05/2009
8:00 p.m.
8:00 p.m.
The Composers in Red Sneakers present
STRINGING OUT THE BEAT
Duo Xanthos
Brenda van der Merwe, violin
George Nickson, percussion
and
experimental German violinist/composer
Stefan Poetzsch, electric violin
Bettina Essaka, dancer
Featuring the choreographed electroacoustic music of experimental German violinist/composer Stefan Poetzsch
STRINGING OUT THE BEAT
Duo Xanthos
Brenda van der Merwe, violin
George Nickson, percussion
and
experimental German violinist/composer
Stefan Poetzsch, electric violin
Bettina Essaka, dancer
Featuring the choreographed electroacoustic music of experimental German violinist/composer Stefan Poetzsch
| Phantasmata | Gunther Schuller | |
| my flute is calling | Chiel Meijering | |
| the Stillpoint | Edward Top |
$10 (cheap!) $6 students/seniors - Map
Boston University College of Fine Arts
Concert Hall
Concert Hall
04/30/2009
7:30 p.m.
7:30 p.m.
Music and Rhythms from Cultures Around the World
Please join us with guest artists
Ketty Nez, piano
Krista Buckland Reisner, violin
Julia Cash, violin
Rose Drucker, violin
Ashleigh Gordon, viola
Brandon Brooks, cello
Akiko Kikuchi, double bass
Please join us with guest artists
Ketty Nez, piano
Krista Buckland Reisner, violin
Julia Cash, violin
Rose Drucker, violin
Ashleigh Gordon, viola
Brandon Brooks, cello
Akiko Kikuchi, double bass
| Cranes Dancing | Shirish Korde | |
| timed curves | Ketty Nez | |
| Immutable Dreams | Kati Agócs | |
| Cuaderno del Ritmo | Alejandro Viñao |
Morse Auditorium
Boston University
Boston University
04/08/2009
7:30 p.m.
7:30 p.m.
Music of Alejandro Viñao
Please join us with guest artists
Oana Lacatus, violin
Ashleigh Gordon, viola
Brandon Brooks, cello
Akiko Kikuchi, double bass
Khan Variations
Tumblers
Cuaderno del Ritmo
Please join us with guest artists
Oana Lacatus, violin
Ashleigh Gordon, viola
Brandon Brooks, cello
Akiko Kikuchi, double bass
Khan Variations
Tumblers
Cuaderno del Ritmo
Boston University College of Fine Arts
Concert Hall
Concert Hall
03/19/2009
7:30 p.m.
7:30 p.m.
Tribute to Lukas Foss
| Starfish | Aaron Krerowicz | |
| Chamber Concerto, Movement I | Graham Dixon | |
| Flagrant | Andrew Smith | |
| Thirteen Ways of Looking at a Blackbird | Lukas Foss | |
| Three American Pieces | Lukas Foss | |
| Time Cycle | Lukas Foss |
Boston University College of Fine Arts
Concert Hall
Concert Hall
12/02/2008
7:30 p.m.
7:30 p.m.
Xanthos Ensemble Season Concert
Please join us with guest artists
Dean Elzinga, bass-baritone
Rachel Braude, flute
Leo Eguchi, cello
Karl Doty, double bass
Scot Fitzsimmons, double bass
Tomina Parvanova, harp
Please join us with guest artists
Dean Elzinga, bass-baritone
Rachel Braude, flute
Leo Eguchi, cello
Karl Doty, double bass
Scot Fitzsimmons, double bass
Tomina Parvanova, harp
| Okanagon | Giacinto Scelsi | |
| 13 couleurs du soleil couchant | Tristan Murail | |
| Spinoff | Charles Wuorinen | |
| Eight Songs for a Mad King | Peter Maxwell Davies |
Boston University College of Fine Arts
Concert Hall
Concert Hall
10/09/2008
7:30 p.m.
7:30 p.m.
Xanthos Ensemble Season Concert
Please join us with guest artists
Jessica Lizak, flute
Sebastian Bäverstam, cello
Daniel Zawodniak, percussion
Please join us with guest artists
Jessica Lizak, flute
Sebastian Bäverstam, cello
Daniel Zawodniak, percussion
| Arpège | Franco Donatoni | |
| Phantasmata | Gunther Schuller | |
| Yellow | Lansing McLoskey | |
| O King | Luciano Berio | |
| Notturno | Donald Martino |
Roulette
New York, NY
New York, NY
05/24/2008
8:00 p.m.
8:00 p.m.
Xanthos Ensemble in New York
Please join us with guest artists
Chi-Ju Juliet Lai, clarinet
Leo Eguchi, cello
Please join us with guest artists
Chi-Ju Juliet Lai, clarinet
Leo Eguchi, cello
| New York Notes | Charles Wuorinen | |
| What Do the Birds Think? | Derek Charke | |
| Flashbacks | Mario Davidovsky | |
| Dérive | Pierre Boulez | |
| Missing Time | Donald Hagar | |
| Three Nature Songs (2008) | Daniel Knaggs | |
| Aria IV | Pozzi Escot |
$15 admission (students and seniors $10) - Venue Link - Map
Boston Conservatory
Seully Hall
Seully Hall
03/07/2008
8:00 p.m.
8:00 p.m.
Xanthos Ensemble Season Concert
Please join us with guest artists
Jessi Rosinski, flute
Nicole Cariglia, cello
Please join us with guest artists
Jessi Rosinski, flute
Nicole Cariglia, cello
| Pharmakon | Ken Ueno | |
| Thirteen Ways of Looking at a Blackbird | Lukas Foss | |
| 6-8-2-4-5-8 | Joel Hoffman | |
| Creature to Man | Su Lian Tan | |
| from heart undaunt (2007) | Justin Rubin | |
| Unwind (2008) | Mark Berger |
Boston Conservatory
Seully Hall
Seully Hall
01/31/2008
8:00 p.m.
8:00 p.m.
Boston Conservatory
New Music Festival
Please join us with special guest artists
David Russell, cello
Jessi Rosinski, flute
and
Jeffrey Means, conductor
Please join us with special guest artists
David Russell, cello
Jessi Rosinski, flute
and
Jeffrey Means, conductor
| Flashbacks | Mario Davidovsky | |
| Canon for Four | Elliott Carter | |
| Hermes | Salvatore Sciarrino | |
| Dérive | Pierre Boulez | |
| Rebonds | Iannis Xenakis | |
| Anthèmes | Pierre Boulez | |
| Tierkreis: 12 Melodien der Sternzeichen | Karlheinz Stockhausen | |
Boston Conservatory
1260 Boylston Street
1260 Boylston Street
11/29/2007
8:00 p.m.
8:00 p.m.
Xanthos Ensemble
Composer Concert at Boston Conservatory
Please join us with guest artist
Michal Shein, cello
Composer Concert at Boston Conservatory
Please join us with guest artist
Michal Shein, cello
Boston Conservatory
Seully Hall
Seully Hall
09/21/2007
8:00 p.m.
8:00 p.m.
Xanthos Ensemble
Season Concert
Please join us with special guest artist
Jing Li, cello
Please join us with special guest artist
Jing Li, cello
| Amazon | Joan Tower | |
| Hop | Paul Lansky | |
| passion sought (2007) | Justin Rubin | |
| Siray | Jorge Villavicencio Grossman | |
| Isabel's Guitar Music (2007) | Richard Beaudoin | |
| Sextet | Lior Navok | |
Berklee College of Music
David Friend Recital Hall
David Friend Recital Hall
06/04/2007
7:30 p.m.
7:30 p.m.
Xanthos Ensemble in collaboration with
the Berklee Alumni Composer Consortium
Please join us with guest artists
Sarah Brady, flute
Chi-Ju Juliet Lai, clarinet
Joshua Gordon, cello
the Berklee Alumni Composer Consortium
Please join us with guest artists
Sarah Brady, flute
Chi-Ju Juliet Lai, clarinet
Joshua Gordon, cello
Newton Free Library
06/03/2007
2:00 p.m.
2:00 p.m.
Xanthos Ensemble in collaboration with
the Berklee Alumni Composer Consortium
Please join us with guest artists
Sarah Brady, flute
Chi-Ju Juliet Lai, clarinet
Joshua Gordon, cello
the Berklee Alumni Composer Consortium
Please join us with guest artists
Sarah Brady, flute
Chi-Ju Juliet Lai, clarinet
Joshua Gordon, cello
University of Toledo
Center for the Performing Arts, Recital Hall
Center for the Performing Arts, Recital Hall
04/09/2007
8:00 p.m.
8:00 p.m.
Xanthos Ensemble
Featured guest artists
30th Annual 2007 Spring Festival of New Music
Featured guest artists
30th Annual 2007 Spring Festival of New Music
| Immiscible Motion | Mark Berger | |
| Prelude No. 2 for Piano | Koray Sazli | |
| Jazz and Cocktails | Gernot Wolfgang | |
| Three Irish Folk Songs | John Corigliano | |
| feigned illusions (2007) | Justin Henry Rubin | |
| Elegy to the Future | Lior Navok | |
Boston Conservatory
Seully Hall
Seully Hall
04/08/2007
1:00 p.m.
1:00 p.m.
Xanthos Ensemble Season Concert
| Immiscible Motion | Mark Berger | |
| Prelude No. 2 for Piano | Koray Sazli | |
| Jazz and Cocktails | Gernot Wolfgang | |
| Three Irish Folk Songs | John Corigliano | |
| feigned illusions (2007) | Justin Henry Rubin | |
| Elegy to the Future | Lior Navok | |
St. Mark's Church in-the-Bowery
New York, NY
New York, NY
01/28/2007
3:00 p.m.
3:00 p.m.
Xanthos Ensemble
New York debut
In collaboration with the Composers in Red Sneakers
Featuring the winner of the Composers in Red Sneakers Composition Competition for Young Composers,
Peter Van Zandt Lane
New York debut
In collaboration with the Composers in Red Sneakers
Featuring the winner of the Composers in Red Sneakers Composition Competition for Young Composers,
Peter Van Zandt Lane
| pentaduplicathlon | Peter McMurray | |
| Still/Life | Ronald Bruce Smith | |
| Missing Time | Donald Hagar | |
| Pace | Peter van Zandt Lane | |
| DiVersIons | Margaret McAllister | |
| Diverti | David Rakowski | |
| Echoes and Dreams | Howard Frazin | |
| Yellow | Lansing McLoskey |
Boston Conservatory
Seully Hall
Seully Hall
12/01/2006
8:00 p.m.
8:00 p.m.
Xanthos Ensemble Season Concert
Please join us with special guest artist
Joshua Gordon, cello
Please join us with special guest artist
Joshua Gordon, cello
| Eleven Echoes of Autumn | George Crumb | |
| Desert Call | Dalit Warshaw | |
| Songs from James Joyce | John Heiss | |
| Moments of Immensity | Matthias Truniger | |
| Noon Dance | Joan Tower | |
Longy School of Music
Edward M. Pickman Concert Hall
Edward M. Pickman Concert Hall
11/04/2006
8:00 p.m.
8:00 p.m.
Xanthos Ensemble in collaboration with
The Composers in Red Sneakers
Featuring the winner of the Composers in Red Sneakers Composition Competition for Young Composers,
Peter Van Zandt Lane
Featuring the winner of the Composers in Red Sneakers Composition Competition for Young Composers,
Peter Van Zandt Lane
| pentaduplicathlon | Peter McMurray | |
| Still/Life | Ronald Bruce Smith | |
| Missing Time | Donald Hagar | |
| Pace | Peter van Zandt Lane | |
| DiVersIons | Margaret McAllister | |
| Diverti | David Rakowski | |
| Echoes and Dreams | Howard Frazin | |
| Yellow | Lansing McLoskey |
St. Paul's Episcopal Church
Brookline, MA
Brookline, MA
05/01/2006
8:00 p.m.
8:00 p.m.
Xanthos Ensemble Season Concert
| Forgot | Andy Vores | |
| Con leggerezza pensosa | Elliott Carter | |
| 9 Settings of Lorinne Neidecker | Harrison Birtwistle | |
| Quatuor pour la fin du temps | Olivier Messiaen | |
Boston Conservatory
The Concert Room
The Concert Room
01/20/2006
8:00 p.m.
8:00 p.m.
Xanthos Ensemble Season Concert
| They That Mourn | Jan Swafford | |
| Slang | Libby Larsen | |
| Oda al Presente (2005) | Maxwell Dulaney | |
| Mirage | Shulamit Ran | |
Central Congregational Church
Jamaica Plain, MA
Jamaica Plain, MA
09/17/2005
8:00 p.m.
8:00 p.m.
Xanthos Ensemble Season Concert
| Three for Trio | Eric Sawyer | |
| Flames Must Not Encircle Sides | Robert Dick | |
| Concerto a Tré | Ingolf Dahl | |
| Pierrot Lunaire | Arnold Schoenberg | |
St. Paul's Episcopal Church
Brookline, MA
Brookline, MA
09/16/2005
8:00 p.m.
8:00 p.m.
Xanthos Ensemble Season Concert
| Three for Trio | Eric Sawyer | |
| Flames Must Not Encircle Sides | Robert Dick | |
| Concerto a Tré | Ingolf Dahl | |
| Pierrot Lunaire | Arnold Schoenberg | |
Music
Mirage
Shulamit Ran
Live Performance
January 20th, 2006
Boston Conservatory
Live Performance
January 20th, 2006
Boston Conservatory
Forgot
Andy Vores
Live Performance
May 1, 2006
St. Paul's Episcopal Church
Live Performance
May 1, 2006
St. Paul's Episcopal Church
Players
Jennifer Ashe, soprano
Described as "the kind of vocal velvet you don't often hear in contemporary music" displaying "rock solid technique" (Boston Phoenix), Jennifer Ashe, soprano, has been hailed by the Boston Globe as giving a performance that was "pure bravura...riveting the audience with a radiant and opulent voice" for her performance in Peter Maxwell Davies' monodrama, Miss Donnithorne's Maggot. A strong advocate for new music, Jennifer has participated in countless premieres and recordings for composers active in the Boston area and beyond. She has performed with ensembles such as Firebird, Harvard Group for New Music, and New Music Brandeis, and on series such as the Fromm Festival at Harvard.
At New England Conservatory Jennifer studied with Mark St Laurent and Lucy Shelton, receiving the Doctor of Musical Arts in Vocal Performance in May 2006. She also holds the Master of Music in Vocal Pedagogy from NEC. She received the Bachelor of Music from the Hartt School of Music in Voice Performance and Music Education. A current lecturer at College of the Holy Cross in Worcester, MA, Jennifer has also taught at NEC. She is also faculty at the Community Music Center in Boston. A frequent performer of chamber music, she is a member of the flute and soprano duo Prana with Alicia DiDonato. Prana was honored to be chosen as semi-finalists at the 2007 Gaudeamus Interpreters Competition. She is a senior member of the Callithumpian Consort led by Steven Drury. Jennifer is also the soprano for the Boston Microtonal Society's chamber ensemble Notariotous. Future projects include a recital of contemporary German works at the Goethe Institute.
At New England Conservatory Jennifer studied with Mark St Laurent and Lucy Shelton, receiving the Doctor of Musical Arts in Vocal Performance in May 2006. She also holds the Master of Music in Vocal Pedagogy from NEC. She received the Bachelor of Music from the Hartt School of Music in Voice Performance and Music Education. A current lecturer at College of the Holy Cross in Worcester, MA, Jennifer has also taught at NEC. She is also faculty at the Community Music Center in Boston. A frequent performer of chamber music, she is a member of the flute and soprano duo Prana with Alicia DiDonato. Prana was honored to be chosen as semi-finalists at the 2007 Gaudeamus Interpreters Competition. She is a senior member of the Callithumpian Consort led by Steven Drury. Jennifer is also the soprano for the Boston Microtonal Society's chamber ensemble Notariotous. Future projects include a recital of contemporary German works at the Goethe Institute.
Sarah Brady, flute
Called enchanting by the Boston Globe, flutist Sarah Brady is sought after across the country as a soloist, chamber musician, and master teacher. An avid promoter of new music, she has premiered and recorded new music from many of todays top composers. Recent projects have included premieres of new solo flute and electronic music from Elena Ruehr, Andy Vores and John Mallia as well as music for flute and strings from Marcos Balter and Johnathan Bailey Holland. Her chamber and orchestral recordings can be heard on the Albany, Naxos, Oxingale and Cantalope music labels. As a leading interpreter of contemporary music, she was invited to read and record new music commissioned by Yo Yo Ma for his Silk Road Project at Tanglewood.
Sarah lives in Boston and performs regularly as principal flute with the Boston Modern Orchestra Project and Opera Boston. She can also be heard with performing with the Boston Ballet, Portland Symphony Orchestra and the Albany Symphony. As a chamber musician she has been described as clairvoyantly sensitive (New Music Connoisseur), and has collaborated with the Fromm Players at Harvard, the Firebird Ensemble, the Radius Ensemble, Boston Musica Viva and NotaRiotous. She is a member of the Michigan based new music ensemble Brave New Works, a group that is dedicated to promoting new music throughout the US and Canada by premiering new music and educating young composers through a college residency program. The ensemble has been in residence at Cornell, Bowling Green University, the University of Michigan, Tufts University, University of Puget Sound, Williams, Western Washington University and the Boston Conservatory.
In competition she was awarded second place in the National Flute Association 2006 Young Artist Competition, where she also won an award for the best performance of the newly commissioned work by Paul Drescher. She has been a Semi-finalist in the Myrna Brown Competition Flute Competition, Heida Herman Woodwind Competition, Eastern Connecticut Young Artist Competition, and received second place in Bostons prestigious Pappoutsakis Flute Competition. As a soloist Sarah enjoyed a sold out debut at Carnegie Halls Zankel Hall with pianist Oxana Yablonskaya. Sarah is on the flute faculty at the Boston Conservatory of Music and the University of Massachusetts at Lowell.
Sarah lives in Boston and performs regularly as principal flute with the Boston Modern Orchestra Project and Opera Boston. She can also be heard with performing with the Boston Ballet, Portland Symphony Orchestra and the Albany Symphony. As a chamber musician she has been described as clairvoyantly sensitive (New Music Connoisseur), and has collaborated with the Fromm Players at Harvard, the Firebird Ensemble, the Radius Ensemble, Boston Musica Viva and NotaRiotous. She is a member of the Michigan based new music ensemble Brave New Works, a group that is dedicated to promoting new music throughout the US and Canada by premiering new music and educating young composers through a college residency program. The ensemble has been in residence at Cornell, Bowling Green University, the University of Michigan, Tufts University, University of Puget Sound, Williams, Western Washington University and the Boston Conservatory.
In competition she was awarded second place in the National Flute Association 2006 Young Artist Competition, where she also won an award for the best performance of the newly commissioned work by Paul Drescher. She has been a Semi-finalist in the Myrna Brown Competition Flute Competition, Heida Herman Woodwind Competition, Eastern Connecticut Young Artist Competition, and received second place in Bostons prestigious Pappoutsakis Flute Competition. As a soloist Sarah enjoyed a sold out debut at Carnegie Halls Zankel Hall with pianist Oxana Yablonskaya. Sarah is on the flute faculty at the Boston Conservatory of Music and the University of Massachusetts at Lowell.
Chi-Ju Juliet Lai, clarinet
Chi-Ju Juliet Lai, clarinet, is an active chamber and orchestral musician, as well as pedagogue. A native of Taiwan and later of Hong Kong, she came to America at the age of thirteen to pursue her musical studies. Her teachers include David Shifrin, Phillip Rehfeldt, Deborah Chodacki, Thomas Martin and David Peck.
Since coming to Boston in 1999, Miss Lai has established herself as a highly sought-after musician. As an orchestral musician, she has performed with orchestras such as The Cleveland Orchestra, Charleston Symphony Orchestra in South Carolina and Tyrol Symphony Orchestra in Austria. Currently, she holds the Second/Assistant Clarinet position in Atlantic Symphony Orchestra and has played with Cape Symphony Orchestra, Glenn Falls Symphony, Gardner Chamber Orchestra, Eastern Connecticut Symphony, Kalistos Chamber Orchestra, and ALEA III.
Miss Lai is also an avid chamber musician. She is the clarinetist in Anemoi Quintet and Boston Octet, both of which she co-founded. She has also appeared in a wide spectrum of chamber music concerts, from contemporary works by living composers to works from the golden era of harmoniemusik. Her performances include concerts with New Music Ensemble Boston, Sequenza Ensemble, and Vento Chiaro, with whom she was featured on WGBH Boston, and with whom she recently performed and taught at the Boston University Tanglewood Institute. In 2000, she toured Japan with the United Woodwind Quintet and gave concerts and masterclasses throughout Hokkaido.
Miss Lai holds the Doctor of Musical Arts in Clarinet Performance from Boston University, the Master of Music from Yale University and the Bachelor of Music from Rice University. She also attended Interlochen Arts Academy.
Since coming to Boston in 1999, Miss Lai has established herself as a highly sought-after musician. As an orchestral musician, she has performed with orchestras such as The Cleveland Orchestra, Charleston Symphony Orchestra in South Carolina and Tyrol Symphony Orchestra in Austria. Currently, she holds the Second/Assistant Clarinet position in Atlantic Symphony Orchestra and has played with Cape Symphony Orchestra, Glenn Falls Symphony, Gardner Chamber Orchestra, Eastern Connecticut Symphony, Kalistos Chamber Orchestra, and ALEA III.
Miss Lai is also an avid chamber musician. She is the clarinetist in Anemoi Quintet and Boston Octet, both of which she co-founded. She has also appeared in a wide spectrum of chamber music concerts, from contemporary works by living composers to works from the golden era of harmoniemusik. Her performances include concerts with New Music Ensemble Boston, Sequenza Ensemble, and Vento Chiaro, with whom she was featured on WGBH Boston, and with whom she recently performed and taught at the Boston University Tanglewood Institute. In 2000, she toured Japan with the United Woodwind Quintet and gave concerts and masterclasses throughout Hokkaido.
Miss Lai holds the Doctor of Musical Arts in Clarinet Performance from Boston University, the Master of Music from Yale University and the Bachelor of Music from Rice University. She also attended Interlochen Arts Academy.
Brenda van der Merwe, violin and viola
Brenda van der Merwe is an active chamber musician and soloist in the Boston area. She has concertized in such venues as Carnegie Hall, Boston's Symphony Hall, and at the Tanglewood Music Center. A New Music Connoisseur reviewer described her recent New York City premiere of an interactive solo violin work as highly sophisticated microtonal playing. She is the founding violinist/violist for the Xanthos Ensemble, contemporary chamber group now presented by Boston University, and formerly Ensemble in Residence at Boston Conservatory. As an advocate for new music, she regularly performs chamber and solo works by visiting composers, faculty and graduate fellows at Brandeis University, Boston University, Wellesley College, New England Conservatory, Dartmouth College, with the Harvard Group for New Music, and the Fromm Players at Harvard. She has appeared in chamber music concerts with former members of the Mendelssohn and Brentano String Quartets, and has appeared in concert with the Boston Ballet Orchestra, Opera Boston, the Boston Modern Orchestra Project, ALEA III, the Boston Philharmonic Orchestra, the Pro Arte Chamber Orchestra of Boston, Arizona Opera, and the Tucson Symphony. She has performed with MidAmerica Productions' Chamber and Solo Music Series in Carnegie Hall's Weill Recital Hall, at the Warebrook Contemporary Music Festival, with the AUROS Group for New Music, and has appeared twice as a soloist in the Boston Cyber Arts Festival program for the Electronic Music Marathon at Brandeis University. She has also been a concerto soloist with the Tucson Symphony Orchestra. As a member of the Boston Modern Orchestra Project, she has recorded for Naxos, Chandos, Oxingale, and New World Records. More recently, she was featured on a CD of contemporary chamber music works recorded in Carnegie Hall and released on Clear Note Publications.
Brenda van der Merwe holds the Doctor of Musical Arts Degree from Boston University, where she studied with Bayla Keyes and was String Department Assistant. Her recently completed dissertation is entitled New Frontiers in the Art of Violin Performance: The Contemporary Study and Pedagogy of Extended Techniques for the Violin. Her teachers and coaches have included Bayla Keyes, Peter Zazofsky, Yuri Mazurkevich, Nicholas Mann, Lukas Foss, Mark Rush, and members of the Peabody Trio and the Muir and Lydian String Quartets. She has been a member of the faculties of Music on the Hill Chamber Music Festival and Powers Music School, where she was named Chair of the String Department. She has also coached for the New England Conservatory Preparatory Division and adjudicated for their annual Concerto Competition. At the University of Arizona, she received a Master of Music as well as a Bachelor of Music, graduating summa cum laude with Honors. She was the recipient of the University of Arizona's Research Grant Award for composition of works for solo electric violin, and a recipient of the Graduate Student Final Project Fund Award, for composition of works for the Electronic Percussion Ensemble and the Digital Arts Symposium. In Arizona she was a winner of the Tucson Symphony Young Artists Concerto Competition, the University of Arizona President's Concert Concerto Competition, and the Tucson Philharmonia Youth Orchestra Concerto Competition. She performed as soloist and member of the Tucson Symphony Orchestra, and served as Principal Second Violin for the Arizona Opera Orchestra. In 1996 and 1998 she was a member of the Arizona Opera Ring Cycle Festival Orchestra, which staged Wagner's Ring Cycle in its entirety.
Brenda van der Merwe holds the Doctor of Musical Arts Degree from Boston University, where she studied with Bayla Keyes and was String Department Assistant. Her recently completed dissertation is entitled New Frontiers in the Art of Violin Performance: The Contemporary Study and Pedagogy of Extended Techniques for the Violin. Her teachers and coaches have included Bayla Keyes, Peter Zazofsky, Yuri Mazurkevich, Nicholas Mann, Lukas Foss, Mark Rush, and members of the Peabody Trio and the Muir and Lydian String Quartets. She has been a member of the faculties of Music on the Hill Chamber Music Festival and Powers Music School, where she was named Chair of the String Department. She has also coached for the New England Conservatory Preparatory Division and adjudicated for their annual Concerto Competition. At the University of Arizona, she received a Master of Music as well as a Bachelor of Music, graduating summa cum laude with Honors. She was the recipient of the University of Arizona's Research Grant Award for composition of works for solo electric violin, and a recipient of the Graduate Student Final Project Fund Award, for composition of works for the Electronic Percussion Ensemble and the Digital Arts Symposium. In Arizona she was a winner of the Tucson Symphony Young Artists Concerto Competition, the University of Arizona President's Concert Concerto Competition, and the Tucson Philharmonia Youth Orchestra Concerto Competition. She performed as soloist and member of the Tucson Symphony Orchestra, and served as Principal Second Violin for the Arizona Opera Orchestra. In 1996 and 1998 she was a member of the Arizona Opera Ring Cycle Festival Orchestra, which staged Wagner's Ring Cycle in its entirety.
Leo Eguchi, cello
Cellist Leo Eguchi maintains a very active and multi-faceted performance schedule he can be heard as a founding member of the Kalistos Chamber Orchestra, principal cellist of the New Bedford Symphony, a member of the Portland Symphony, Boston Modern Orchestra Project and the New Hampshire Music Festival Orchestra, as well as in frequent appearances with the Boston Pops Esplanade, Rhode Island Philharmonic and Boston Lyric Opera Orchestras. A strong advocate of new music, Leo has premiered pieces by and worked closely with many notable composers, including William Bolcom, Bright Sheng, George Crumb, Lukas Foss, Joan Tower, Ken Ueno and Michael Daugherty and often performs with contemporary music groups such as Brave New Works, Firebird Ensemble, White Rabbit, Xanthos Ensemble and ALEA III. Mr. Eguchi also loves to play chamber music he was a founding member of the Lunaire String Quartet and often performs with groups such as Chameleon Arts Ensemble and the Walden Chamber Players. Other recent chamber music highlights include a Mendelssohn Octet performance with Ron Patterson (Former concertmaster of Monte-Carlo, Houston, Denver, and Miami symphonies, and the Los Angeles Chamber Orchestra) and Malcolm Stewart (Concertmaster Orchestre National du Capitole de Toulouse, Leader Laureate of Royal Liverpool Philharmonic Orchestra), and participation in the Educational Bridge program an exchange tour of Moscow and collaboration with Russian musicians. In addition to his classical career, Mr. Eguchi can be heard on stages ranging from small klezmer ensembles to stadium rock shows. As an educator and clinician, Mr. Eguchi has received much attention and is on the faculty of the Brookline Music School and until recently the University of Maine Farmington.
A native of Michigan, Mr. Eguchi began his cello studies at the age of twelve with Eva Ell and Louis Potter Jr. He holds Bachelors degrees with honors in Physics and in Cello Performance from the University of Michigan, where he studied cello with Anthony Elliott and a Masters degree from Boston University, where he was a student of George Neikrug and receipient of the string department award for excellence. Mr. Eguchi has performed in masterclasses for such cello giants as Janos Starker, David Soyer, Ronald Leonard and Leslie Parnas.
A native of Michigan, Mr. Eguchi began his cello studies at the age of twelve with Eva Ell and Louis Potter Jr. He holds Bachelors degrees with honors in Physics and in Cello Performance from the University of Michigan, where he studied cello with Anthony Elliott and a Masters degree from Boston University, where he was a student of George Neikrug and receipient of the string department award for excellence. Mr. Eguchi has performed in masterclasses for such cello giants as Janos Starker, David Soyer, Ronald Leonard and Leslie Parnas.
Eunyoung Kim, piano
Eunyoung Kim began playing piano at the age of four, gave her first piano recital at age six, and in the same year won the national piano competition organized by The Korean Music & Art Society in Seoul. She continued playing the piano with passion and without any outside pressure. At age 15 she began studying with pianist Ha-Kyung Kim at the Sun-Hwa Arts High School in Korea. She won numerous piano competitions in Korea including the prestigious Sam-Ik Piano Competition and studied at the Korean National University of Arts in Seoul with Jong-Pil Lim, Kyung-Sook Lee, Dae-Jin Kim and Choong-Mo Kang on a scholarship from the Korean Government given to the top students of the music department. After graduating, she served as the director and a piano & music theory instructor at Bon Music Academy in Seoul.
Ms. Kim continued her studies in the United States at Boston University where she earned a Masters Degree in Piano Performance in 2003. In that same year she was selected as a member of the American National Music Honor Society, Pi Kappa Lambda. She furthered her studies at Longy School of Music with Victor Rosenbaum, Robert Merfeld, Wayman Chin, and Jonathan Cohler; and in 2006 received a Graduate Performance Diploma in both Piano Performance and Collaborative Piano Performance with distinction.
After graduation from Longy, Ms. Kim performed as a soloist at the New Hampshire Music Festival, in addition to premiering new solo and chamber works of Koray Sazli, Caglar Arsu, Mark Berger, Mauricio Pauly and Gorge Grossman. She also performed at the Kendal Music Series as a soloist, as well as in Nagoya, Japan with organization, International Soroptimist. Ms. Kim was awarded prizes in both 2005 and 2006 in the International Chamber Music Ensemble Competition, and also in 2008 she was awarded the second prize in the Hugo Kauder International Piano Competition.
Eunyoung Kim continues to be actively performing throughout the greater Boston area as a member of International Contemporary Music Ensemble Musica Anatolia, the Xanthos Ensemble, The Fifth Tier New Music Ensemble, and Duo group, La Scena. As a soloist and a chamber musician, Ms Kim is engaged in many different concerts in Boston, NYC, Seoul, and Istanbul for the 2007~2010 concert season.
Ms. Kim continued her studies in the United States at Boston University where she earned a Masters Degree in Piano Performance in 2003. In that same year she was selected as a member of the American National Music Honor Society, Pi Kappa Lambda. She furthered her studies at Longy School of Music with Victor Rosenbaum, Robert Merfeld, Wayman Chin, and Jonathan Cohler; and in 2006 received a Graduate Performance Diploma in both Piano Performance and Collaborative Piano Performance with distinction.
After graduation from Longy, Ms. Kim performed as a soloist at the New Hampshire Music Festival, in addition to premiering new solo and chamber works of Koray Sazli, Caglar Arsu, Mark Berger, Mauricio Pauly and Gorge Grossman. She also performed at the Kendal Music Series as a soloist, as well as in Nagoya, Japan with organization, International Soroptimist. Ms. Kim was awarded prizes in both 2005 and 2006 in the International Chamber Music Ensemble Competition, and also in 2008 she was awarded the second prize in the Hugo Kauder International Piano Competition.
Eunyoung Kim continues to be actively performing throughout the greater Boston area as a member of International Contemporary Music Ensemble Musica Anatolia, the Xanthos Ensemble, The Fifth Tier New Music Ensemble, and Duo group, La Scena. As a soloist and a chamber musician, Ms Kim is engaged in many different concerts in Boston, NYC, Seoul, and Istanbul for the 2007~2010 concert season.
George Nickson, percussion
A percussionist of great versatility and virtuosity, George Nickson has been hailed as “a performer handling his role with ease and flair” by The New York Times. Recent highlights have included selection as a Percussion Fellow at The Music Academy of the West in Santa Barbara, California, a performance with the Honolulu Symphony Orchestra, an appointment as Guest Principal Percussionist of the National Orchestra of the Dominican Republic during the Santo Domingo Music Festival in March, 2007 and his subscription series solo recital debut to critical acclaim at the Raymond F. Kravis Center for the Performing Arts in West Palm Beach, Florida in January, 2007.
In April 2008, George was a finalist during auditions for the Percussion Section opening in the Louisiana Philharmonic Orchestra. The summer of 2008 brought Nickson to Graz, Austria, to perform with the American Institute of Musical Studies Orchestra. George has performed marimba and percussion concerti with the Ars Flores Symphony Orchestra, The Treasure Coast Symphony and the Indian River Pops Orchestra. Solo performances and master classes have brought him to the Florida Day Of Percussion, Palm Beach Atlantic University, and Universidad de Caldas in Manizales, Colombia.
George will soon finish undergraduate studies at the New England Conservatory of Music, where he studies with Will Hudgins. In addition to the classical field, Nickson has the pleasure of performing with numerous jazz, rock and pop groups throughout the Boston area. An ardent interpreter and proponent of contemporary music, George has been the percussionist of the Xanthos Ensemble since 2006.
Jeffrey Means, conductor
Jeffrey Means has been hailed as a musician demonstrating outstanding gifts and accomplishments by the Boston Globe, and charismatic and highly capable by the New Music Connoisseur. He is in the midst of a burgeoning career that encapsulates both a dedication to the best of the Contemporary Era, and a passion for music of the Common Era.
As a proponent of contemporary music, Means has led many of Bostons new music ensembles, including the Xanthos Ensemble, Firebird Ensemble, and the Callithumpian Consort. He has led numerous world premieres, and has had the pleasure of working with some of todays esteemed composers, including Lee Hyla, the late Donald Martino, Tamar Diesendruck, and Lori Dobbins. Projects for this season include a world premiere of Ms. Dobbins, and a concert of music by Karlhienz Stockhausen, in memory of the composer.
Eaqually secure in the traditional repertoire, Means has led music from J.S. Bach to Benjamin Britten with the various organizations that he has served as assistant for or guest conducted. Recent engagements include an appearance with the Boston Civic Symphony, and a stint as assistant conductor/chorus master for the Raylynmore Opera in New Hampshire.
Means background is in percussion performance, and he continues to perform professionally in Boston. He recently played on New England Conservatorys First Monday series a chamber music series for distinguished faculty and alumni. Later this season, Means will play music of Giancinto Scelsi with the Ludovico Ensemble, and will perform and record music of Frederick Rzewski with Mr Rzewski. Other projects this year include performances of music by Steve Reich and Helmut Lachenmann, again, both with the composers guidance. In past years, Means performed with many of Bostons finest ensembles, including the Boston Philharmonic, the Hingham Symphony, the Harvard Group for New Music, and many others.
Means has taken part in numerous summer festivals, including the Casals Festival (Puerto Rico), the Tanglewood Music Center, and the Institute for Contemporary Performance in Manhattan. He holds a BM from New England Conservatory with distinction in performance. At NEC, Means was the recipient of the 2005 John Cage Award for outstanding contribution to contemporary music, and the 2006 Tourjee Alumni Award for most distinguished graduate returning for an advanced degree. He is currently pursuing a MM in conducting from NEC under the auspices of Charles Peltz. He has recorded for Mode and Albany records.
As a proponent of contemporary music, Means has led many of Bostons new music ensembles, including the Xanthos Ensemble, Firebird Ensemble, and the Callithumpian Consort. He has led numerous world premieres, and has had the pleasure of working with some of todays esteemed composers, including Lee Hyla, the late Donald Martino, Tamar Diesendruck, and Lori Dobbins. Projects for this season include a world premiere of Ms. Dobbins, and a concert of music by Karlhienz Stockhausen, in memory of the composer.
Eaqually secure in the traditional repertoire, Means has led music from J.S. Bach to Benjamin Britten with the various organizations that he has served as assistant for or guest conducted. Recent engagements include an appearance with the Boston Civic Symphony, and a stint as assistant conductor/chorus master for the Raylynmore Opera in New Hampshire.
Means background is in percussion performance, and he continues to perform professionally in Boston. He recently played on New England Conservatorys First Monday series a chamber music series for distinguished faculty and alumni. Later this season, Means will play music of Giancinto Scelsi with the Ludovico Ensemble, and will perform and record music of Frederick Rzewski with Mr Rzewski. Other projects this year include performances of music by Steve Reich and Helmut Lachenmann, again, both with the composers guidance. In past years, Means performed with many of Bostons finest ensembles, including the Boston Philharmonic, the Hingham Symphony, the Harvard Group for New Music, and many others.
Means has taken part in numerous summer festivals, including the Casals Festival (Puerto Rico), the Tanglewood Music Center, and the Institute for Contemporary Performance in Manhattan. He holds a BM from New England Conservatory with distinction in performance. At NEC, Means was the recipient of the 2005 John Cage Award for outstanding contribution to contemporary music, and the 2006 Tourjee Alumni Award for most distinguished graduate returning for an advanced degree. He is currently pursuing a MM in conducting from NEC under the auspices of Charles Peltz. He has recorded for Mode and Albany records.
Daniel Felsenfeld, composer-in-residence
Composer Daniel Felsenfeld received his bachelors degree at the University of California, Santa Barbara, and went on to do Graduate and Doctoral work at Bostons New England Conservatory, where he received his Doctorate in 2001. Recent commissions include works for Sequitur, Real Quiet, the Xanthos Ensemble, the Congressional Chorus, Great Noise Ensemble, Boulder Chamber Opera, Stephanie Mortimore (played in Carnegie Hall), choreographer Jenny Showalter, Sarah Bob and Minji Noh. Recent performances include: pianists Andrew Russo, Jenny Lin, Sarah Bob and Blair MacMillian; the New England Conservatory Philharmonic; the Syracuse Society for New Music, Boston Modern Orchestra Projects Club Concert Series, Either/Or Festival, and the NewGallery Concert Series. An evening of theatreOpera After Hours, directed by Christopher Aldenwas performed at the Zipper Factory. His opera The Last of Manhattan was commissioned by (and premiered at) The Kitchen. Summer and All it Brings, was chosen to be part of New York City Operas VOX 2004: Showcasing American Composers. He was selected to be part of American Opera Projects Composers and the Voice program.
Three of his works will be available commercially: Pianist Andrew Russo recorded A Dirty Little Secret (for the disc Dirty Little Secrets) and Toscaninis Glasses for the same pianists Mix Tape, both on Endeavor Classics; and Jenny Lin recorded his Insomnia Redux; 4am for American Insomniac on Koch. He has received fellowships from Yaddo, The MacDowell Colony, Atlantic Center for the Arts and the Wellesley Composers Conference. He is the author of three books on Amadeus Press (Britten and Barber: Their Lives, Their Music, Ives and Copland: Their Lives, Their Music and Tchaikovsky: A Listeners Guide) and co-author of five books on Morgan Reynolds Press (biographies of Wagner, Vivaldi, Brahms, Handel and Bach). As a journalist, the author of literally hundreds of articles, he has contributed to Newsday, the New Yorker, NewMusicBox, Symphony Magazine, Playbill, Strings Magazine, Time Out, and ClassicsToday, Early Music and Full Score, among others. He teaches at City Collegeas well as working as a teaching artist with New York Philharmonicand lives in Brooklyn.
Three of his works will be available commercially: Pianist Andrew Russo recorded A Dirty Little Secret (for the disc Dirty Little Secrets) and Toscaninis Glasses for the same pianists Mix Tape, both on Endeavor Classics; and Jenny Lin recorded his Insomnia Redux; 4am for American Insomniac on Koch. He has received fellowships from Yaddo, The MacDowell Colony, Atlantic Center for the Arts and the Wellesley Composers Conference. He is the author of three books on Amadeus Press (Britten and Barber: Their Lives, Their Music, Ives and Copland: Their Lives, Their Music and Tchaikovsky: A Listeners Guide) and co-author of five books on Morgan Reynolds Press (biographies of Wagner, Vivaldi, Brahms, Handel and Bach). As a journalist, the author of literally hundreds of articles, he has contributed to Newsday, the New Yorker, NewMusicBox, Symphony Magazine, Playbill, Strings Magazine, Time Out, and ClassicsToday, Early Music and Full Score, among others. He teaches at City Collegeas well as working as a teaching artist with New York Philharmonicand lives in Brooklyn.
News
05/26/2008
New York Times Review of the Xanthos Ensemble
The Xanthos Ensemble received a rave review from Steve Smith of the New York Times entitled Modernism, Rapid-Fire or Dreamy. The review was of their New York City concert at Roulette on May 24th, 2008, which featured a world premiere, and a New York premiere, with most of the works on the concert presented by the entire ensemble. Steve Smith described the "young, accomplished members of the Xanthos Ensemble of Boston, which came to Roulette in SoHo on Saturday night with a program featuring works by three uncompromising modernists ... and in the hands of musicians so copiously skilled and confident, this undeniably challenging music had genuine appeal."
Read the review online here:
http://www.nytimes.com/2008/05/26/arts/music/26ense.html?partner=rssnyt&emc=rss
Read the review online here:
http://www.nytimes.com/2008/05/26/arts/music/26ense.html?partner=rssnyt&emc=rss
05/30/2008
Seen and Heard International Concert Review
Bruce Hodges of MusicWeb International wrote a fantastic review of the Xanthos Ensemble in concert at Roulette on May 24th, 2008. In his words, "Anyone who thinks the audience for new music is either dying or dead should have been at this concert at Roulette, where the Xanthos Ensemble (in residence at Boston Conservatory) showed their expertise to a healthy crowd ... the Xanthos crew almost made it seem easy."
Read the entire review here:
www.musicweb-international.com/sandh/2008/Jan-Jun08/xanthos2405.htm
Read the entire review here:
www.musicweb-international.com/sandh/2008/Jan-Jun08/xanthos2405.htm
05/24/2008
Xanthos Ensemble in New York
Xanthos Ensemble makes its second appearance in New York with a riveting program of new music
Roulette
20 Greene Street
New York City, NY
with guests
Jeffrey Means, conductor
Juliet Lai, clarinet
Leo Eguchi, cello
Joe Becker, percussion
Roulette
20 Greene Street
New York City, NY
with guests
Jeffrey Means, conductor
Juliet Lai, clarinet
Leo Eguchi, cello
Joe Becker, percussion
9/21/2007
Xanthos Season Concert
Please join us for our Season Concert at Boston Conservatory
with guest artist
Jing Li, cello
with guest artist
Jing Li, cello
06/03/2007
Newton Free Library
Please join us in collaboration with the Berklee Alumni Composers Consortium
with guest artists,
Sarah Brady, flute
Chi-Ju Juliet Lai, clarinet
Joshua Gordon, cello
with guest artists,
Sarah Brady, flute
Chi-Ju Juliet Lai, clarinet
Joshua Gordon, cello
04/08/2007
Xanthos Season Concert
Please join us for our season concert at Boston Conservatory with guest artist
Jennifer Lucht, cello
Jennifer Lucht, cello
12/01/2006
Xanthos Season Concert
Please join us for our Season Concert at Boston Conservatory
with guest artist
Joshua Gordon, cello
with guest artist
Joshua Gordon, cello
11/04/2006
Xanthos with the Composers in Red Sneakers
Please join us for world premieres of works by Lansing McLoskey, Margaret McAllister, Yu-Hui Chang, Peter McMurray, Peter Van Zandt Lane, and also for performances of works by Donald Hagar, Ronald Bruce Smith, Howard Frazin and David Rakowski.
Links
www.brendavandermerwe.com
Brenda van der Merwe
Brenda van der Merwe
www.orlandocela.com
Orlando Cela
Orlando Cela
www.composersinredsneakers.org
Composers in Red Sneakers
Composers in Red Sneakers
www.ventochiaro.org
Vento Chiaro
Vento Chiaro
www.richardbeaudoin.com
Richard Beaudoin
Richard Beaudoin
www.kenueno.com/
Ken Ueno
Ken Ueno